The point is, when you’ve been conducting your working life at the speed of a freight train, it takes quite a long time to roll to a stop and/or point yourself in a new direction—toward a new way of being, living, and working.
An article worth reading —especially but not only if you’re working in the creative industry; Confessions of a Burnt Out Over-Achiever by Jocelyn K. Glei.
Find your reason, practice, and go on holidays.
I don’t care about my body of work. I don’t care about having some ceavure. I don’t care about having a consistent body of work. The only thing that gives me enjoyment is the current pursuit of whatever I’m doing.
© Kirby Ferguson (via YouTube)
There is an element of explotation to all creatitvity, to appropriate is to take without permission —that’s creativity. You don’t ask others if you could do it, you just do it. Who would you ask anyway? It’s okay to take if you do it the right way.
As a foreigner very much into Asian –more particularly Japanese– culture, philosophy and design, cultural appropriation is a topic I’ve thought about quite a bit already —and even more so since I’m a father now, trying to be the best role model I can be.
Just like with his absolutely amazing series on remixing, Kirby Ferguson makes some valid points on this sensitive topic during his Farewell to Cultural Appropriation.
On a related note: Ferguson is bringing his 2020 series This Is Not a Conspiracy Theory to YouTube (for free). Episode one is available already, the other five parts will be released every two weeks. I haven’t seen it as of now, so I can’t tell you if it is any good, but given the recent track record of the filmmaker, I’m going to watch it for sure!
The secret of genius is to carry the spirit of the child into old age, which means never losing your enthusiasm.
If I already have a vision, my work is almost done. The rest is a technical problem.
What keeps my heart awake is colorful silence.
Every day I discover more and more beautiful things. It’s enough to drive one mad. I have such a desire to do everything, my head is bursting with it.
I’m continuing to work hard, not without periods of discouragement, but my strength comes back again.
When I work I forget all the rest.
If we want to build new systems, a healthier industry, and a better world – making good work is not enough. We need to be using the tools, talent and resources at our disposal to begin the kind of grassroots action that isn’t flashy, viral and PR-able. The type that isn’t about us at all – but about supporting our communities, environment, and mental health in meaningful ways that build a new world over time. We need to centre care as a creative principle.
Why making good work is no longer enough. I am feeling this.
itsnicethat.com/features/why-making-good-work-is-no-longer-enough-creative-industry-280322
For decades now, designers have been taught to consider human needs in their work — only human needs. But design that is good only for people, without looking at the well-being of our planet as a whole, has gotten us into trouble.
As mentioned casually in another context before, I admire the work of Space10 a lot. The Swedish research and design lab is funded by IKEA on its mission to “create a better everyday life for people and the planet”.
There are a bunch of great projects –including two wonderful books about ‘Future Food‘ and ‘Urban Futures‘– and an online journal full of interesting essays to discover, but for any creative, I recommend starting with this plea to move beyond human-centered design towards a “people-planet approach” published last year.
The idea is to find yourself a posse of misfits who have the courage to not only question authority but the whole dominant reality, and create magic together.
The results seem to show PowerPoint is failing you in two key areas: increasing information transfer to your target and improving what people think of your brand (and you).
Using a real-world business scenario, PowerPoint was rated (by online audiences) as no better than verbal presentations with no visual aids. Ouch.
I haven’t used PowerPoint since back when I was at school presenting papers to my classmates and according to a recent Harvard study cited by Forbes, that’s apparently a good thing.
I am curious what iA is able to contribute to the field of presentation applications when they release iA Presenter, though. iA Writer is a great piece of software that remains to be by far my favourite writing tool —an usually rather unglamorous type of app, too.
Don’t bend; don’t water it down; don’t try to make it logical; don’t edit your own soul according to the fashion. Rather, follow your most intense obsessions mercilessly.
Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know it’s normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.